The resulting collaboration was an ambitious score that mixed high-quality acoustic recordings with electronic samples, to create an epic sound that still retained the ambient and dynamic qualities of its PlayStation predecessor. Gregson-Williams didn't work alone, however, with the score representing a joint effort between him, the producer Rika Muranaka, and Konami's in-house sound team-most notably, the composer Norihiko Hibino. So, in order to accomplish this, Konami brought onboard the Hollywood composer Harry Gregson-Williams, who had worked on huge films like Armageddon, The Replacement Killers, and Enemy of the State. From the word go, the director on the project, Hideo Kojima, wanted the sequel to sound like a big Hollywood movie.
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